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Film goofs - page 7

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
وِش إجرام (2006)
When Rehab sits at the computer to transfer important files, we see that what Rehab is actually viewing on the computer is the famous Help and Support Center page in Microsoft Windows XP!
وِش إجرام (2006)
When the prisoners are sitting on the ground, the gang takes the brown bag from The Man sitting beside Taha, but when Taha gets up to speak, we see in the rear shot that The Man is still carrying the brown bag on his head.
وردة (2014)
At the end of the second credits, the distribution address is written incorrectly as: "Distribution inside Egyp and throughout the world," while the correct version is "Distribution inside Egypt and throughout the world.
ودعت حبك (1956)
We see the facial expressions of the three actors change between the distant shot and the following shot, after an hour and a half have passed from the start of the film.
ودعت حبك (1956)
We see a clear difference in the exterior lighting between one shot and the next, after an hour and twenty minutes have passed from the start of the film.
ودعت حبك (1956)
At four points in the film, we see the microphone's shadow moving at the top of the screen.
ودعت حبك (1956)
We see the sunlight on Houreya's face change between the front shot and the rear shot.
ودعت حبك (1956)
In some exterior scenes, the sound does not match the mouth movements.
ودعت حبك (1956)
We clearly see the camera's shadow as it moves.
ودعت حبك (1956)
We see Abou-Al-Magd's foot hit the metal pole while it is touching it, but in the next shot we see the metal bar away from it.
الوداع يا بونابرت (1985)
In Arabic, the name "Bonaparte" is written without an alif, unlike how it appeared in the film's title as "Bonaparte" (in the credits, not on the poster).
وا إسلاماه (1961)
When Gehad hears Salama's voice while she is dancing, she stops dancing and looks toward the source of the voice. But in the next, wider shot, we see her still dancing, then the same reaction repeats as she hears it, stops dancing again, and looks toward the source of the voice again.