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Film goofs - page 6

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
أنا وأنت.. وساعات السفر (1985)
Some lines do not match the mouth movements, especially in exterior shots, such as Ezzat's conversation with The Old Woman.
أنا وأنت.. وساعات السفر (1985)
In the film's first shot, we see Ezzat from outside sitting with his shadow behind him, but in the next shot from inside there is no shadow, and he is standing with his hand on the window frame.
When One of the Scouts looks through a magnifying glass, we see him check his watch to know the time, with the watch positioned on the side of his wrist; but in the close-up of the hands, the watch is in the middle of his wrist, not to the side as it appeared in the wider shots.
اليوم السادس (1986)
When Ouka looks toward His Friend in the boat for the first time, we see one of the boat's ropes behind him, although in the earlier, wider shot he was some distance from the rope.
اليوم السادس (1986)
After Seddiqa throws shoe polish at Ouka, we notice the microphone appearing and moving in the middle of the screen above the window in the background.
اليوم السادس (1986)
In Seddiqa's conversation with Saeid when he tells her about her smile, we notice behind him a shadow moving on his shoulder, probably the microphone's shadow.
اليوم السادس (1986)
Some words do not match the mouth movements.
يا أنا يا خالتي! (2005)
When Nawal’s Mother asks what happened to Abed Al-Beblawy's face, we see her in the distant shot with her mouth open, but in the close shot her mouth is not in the same position, and the issue then repeats according to the close and distant shots.
ويچا (2006)
When Farida comes in to Adham in the office after his conversation with his subconscious and he kills her, we clearly see the outline of the blood bag placed behind her clothes.
ويچا (2006)
When Adham’s Father slaps His Mother, we see that his hand did not touch her face at all, but we hear the sound of the slap and see its effect on Wife.
ويچا (2006)
When Hany holds the note that Sara left for him, in the next, close shot we see a difference in the position of his hand holding the paper (higher up) and a difference in the position of his fingers on the paper.
ولاد الإيه (1989)
In some action scenes, it is obvious that the fighting is not real, such as some punches and slaps.