Film goofs - page 88

The artist Abdel-Azim Kamel's name, for the role of The Doctor, appears incorrectly in the credits as "Mohamed Abdel Azim".

During Hassan's conversation with Farida, there are traces of liquid on her clothes as small spots, but when she turns toward him, the liquid covers a large area of the clothes.

When Hassan is sitting in a restaurant recording himself on a laptop, he sees A Man hitting him, so his face leans forward and he adjusts his glasses with one hand. But when he watches the recording again, the action is different: he adjusts his glasses with both hands.

When Fath El-Bab looks at the French women, the positions of two women's arms change between the close shot and the wide shot.

Under the headline "Interfaith Complex... an imaginary project - collusion of capital with authority = corruption, unemployment and terrorism," the article text beneath the headline does not match it. The original article was titled "New facts in the indictment petition against Dr. Youssef Wali over dangerous relations with Zionists," and was published in Al-Shaab newspaper on January 1, 1999.

The newspaper item about the Interfaith Complex is printed on paper whose color differs from the newspaper paper around it.

When Saneya brings the fruit plate to Ibrahim while he is in bed, she is looking at him, but when she finishes her line and the camera cuts to the other side, she is looking down.

Some words do not match the mouth movements, such as the scene where Laila asks Ibrahim what he is reading.

When Laila reads from the book to Ibrahim, the sunlight on her face and his face changes between the close and wide shots, and this happens more than once.

During The Mill Keeper's conversation with Dr. Tawfiq Muhammad and Dr Ahmed Zaky beside the mill window, he is seen looking at Dr Ahmed Zaky, but in the next shot from the other side he is looking at Dr. Tawfiq Muhammad. His hand is also in front of Dr. Tawfiq Muhammad, then behind him in that next shot.

When Dr. Tawfiq Muhammad and Dr Ahmed Zaky go to Asafra by the sea, the close shots of them appear to have been composited onto the background: the original background was sunny, while the close shot has different lighting and angle. The iron railing on the corniche also differs in size and thickness from the one used in the close shot.

When Ragia replays the recorded conversation with Ibrahim in front of Dr. Tawfiq Muhammad and Dr Ahmed Zaky, the brief silence in the original scene during Ibrahim's kiss to Ragia is missing from the recording; instead, their dialogue continues without that brief pause.

During Abdel-Rahman's conversation with Ragia while she is on her sickbed, the position of her fists on her stomach differs between the shot from the left and the shot from the right in the same scene.

When Ibrahim plays the oud beside Ragia by the sea at sunset, his hand movement on the oud does not match the melodies being heard.

When Ragia draws Ibrahim's portrait, the picture changes during the drawing into another one: the portrait she began with had different features and expression, but a second later it changes into a clearer picture with similar yet different features.