Film goofs - page 8

When Mahmoud fights two soldiers, he throws a tree trunk in the house at One of Them and he jumps, but we see the same shot repeated from a closer angle seconds later, as he knocks the same trunk onto The Same Man, who makes the same jump.

When Salama escapes with Gehad and Mahmoud and they hide behind the rocks, we see Gehad between them with Salama's hand on her and on Mahmoud, but in the next shot we find her behind them and Salama's hand on Mahmoud only.

When The Sultan is killed with the sword from behind and it comes out the front, we see blood on the front, but when he falls in the next shot from behind, there are no signs of the sword entering and no blood on his back.

When Aktai asks: "Didn't you see a man with a little A Boy and A Girl?" we find Salama putting his arm around the two children, then in the next, wider shot we find them far from him and his arm is not around them.

When The Little Girl is prompted with: "The day must come when Islam will unite and triumph," we see her cap with a white veil on top, but in the next shot the veil is below the cap.

When Hatem rides the motorcycle after the Nile scene, we notice that the background has been composited onto the scene.

When Sherif gets into the car after the nightclub scene, we notice that the background has been composited onto the scene.

In the scene where Sherif gets into the car with Silvia, we notice that the background has been composited onto the scene.

The name for script revision, "Luiza Anna Shenkova," is written incorrectly in the credits as "Luiza Anna Shinilova.

When barraq throws the papers into the Nile, we see his hands in his pockets, but in the next, wider shot we see that his hands are not in his pockets.

When Mahmoud enters his daughter Nadia's room and talks to her, we notice the microphone's shadow moving on the right side of the frame.

When the camera approaches Magdy as he stands in front of The Minister of the Interior after The Minister of Health's television interview, we notice the camera's shadow moving across Magdy's clothes as the camera moves toward him.