Film goofs - page 9

In Magdy's speech before the People's Assembly, he says the sentence: "If people have lost hope, we will create hope for them," but we notice that his mouth movements in the last two words differ from the words "create hope for them" (the speech was dubbed over the scene).

When The Minister of Health tells Magdy that if there had been cases they would have done what was necessary, we see him from the front with his hands clasped, but in the next shot from behind, we see his hands open to either side on the desk.

When Nour throws something at a picture hanging on the wall, the break is circular and in the lower part of the picture, but when Sara later notices the broken picture, we see that the place and shape of the break are different.

In the final scene, we notice that the lighting on Nawal's face and clothes differs in the close shots from the distant shots, and we also notice that the background has been composited onto the image in the close shots.

In the final scene, when Nawal leans on a railway signal post, we see her from afar holding its black part, with dim light on her. But in the next, close shot, we see her holding the white part of the post.

When Mamdouh hides behind the door in Taher's office, we see the camera's shadow moving with it to the left of the door.

In the equestrian competition attended by The King, during Khaled's performance we hear the sound of the horse's hooves in a way that does not match the animal's own movement.

Some words do not match the mouth movements (such as the scene where Nawal asks Khaled how he got from Alexandria to Cairo so quickly at the New Year's party).

When Khaled sees Nawal in the garden of Khayreya's house, it is while sunlight is visible in the sky, but in the same conversation, when Nawal walks, we see them in the very next shot in the garden in darkness with a black sky.

When The Troupe Manager asks Mounir’s Father to let go of his hand while he is in The Father's house, we see his other hand down, but in the next, closer shot we see his hand raised.

In the final credits, the actress Samiha Ibrahim is listed as "Hamed's wife," but according to the film the correct description is "Adel's wife.

We notice that the statue image on the computer is clearly composited.