Film goofs - page 61

As the camera moves closer to Abdallah when he warns Aziza to be careful with the money, the camera's shadow can be seen moving with it.

When Aziza comes out to find that Abdallah has not left for work yet, the camera's shadow can be seen moving across Abdallah's clothes with its movement.

When The Headmaster calls for The Lady who is taking care of Aziza after she is moved from the field, Aziza's hand is not visible, but in the next shot, when she speaks, her hand is visible.

Nadine walks toward the door after Hadeed gives her the papers he took from Mahdy Al-Haggar, looking at them and holding them out in front of her; but in the next shot from behind, she is holding the papers to her chest.

When Hadeed beats Hesteery in the solitary ward, there is blood on his face down to his nose, but in the next, wider shot the blood is under his eyes and has not yet reached his nose.

When Mahdy Al-Haggar slaps Hadeed, we clearly see him spit out what is in his mouth, as if from the force of the slap.

When Dr Gamil cleans the prison's ceramic walls, it is clear they are just set dressing and not a real place, as the wall moves while he cleans it.

All names containing the name "Zaki" are written in the credits as "Dhaki".

The cinematographer Galal Al-Zaki's name is misspelled as "Galal El-Dhaki".

When Nesma goes to the house and knocks the servants off the stairs, we hear the sound of glass cups breaking on the floor, but we can see that they are glass cups and none of them breaks.

In the credits, artist Nahla Zaki's name is misspelled with the letter dhal as "Nahla Dhaki".

At the end of the film, its English title is written as "My love for ever"; the correct form is "My love forever" without a space.