Film goofs - page 63

The arrest news item in the newspaper clearly does not match the fonts used in the paper, and the paper behind it is lighter than the rest of the newspaper.

When Aziz bites into the apple, Camellia's face is turned toward the apple plate, but in the next shot from another angle her face is turned toward him.

When Camellia sits at the bar in front of Aziz, from the front we see her resting the middle of her left hand on the bar, with the other half closer to her, and she is holding the glass in front of her face rather than to her mouth. In the next shot from behind, her whole hand is on the bar and the glass is at her mouth as she drinks from it.

After Camellia and Aziz have been talking for a while while drinking from their glasses, from in front of Aziz we see that his glass is half full, but in the next shot from behind it is less full.

When Camellia gives Aziz a drink with ice, it is clear that her glass is full and his is not; but in the next shot from the front, Aziz's glass is full.

When Aziz and Camellia agree that she will come to him at 12, we see him looking out from the villa door after midnight, but it is clearly bright, not nighttime. It becomes clear from the following phone call, where Camellia asks Aziz to come spend the evening with her rather than for her to come to him, that the appointment was at 12 a.m., not noon.

When Aziz sits down and drops the bullets from the gun's chamber, just before he sits there are no plants in front of the curtains behind him; but in the closer shot as he sits, ornamental plants are visible in the background in front of the curtains.

In the shot where Aziz points the gun at Camellia's face, his arm is angled toward the lower part of her neck, but in the closer shot the gun is aimed above her eyes.

When Camellia holds her bag and puts her hand inside it for the gun in front of Aziz, in one shot the hand holding the bag is visible but the hand inside is not. In the next, closer shot of the hand, the hand inside is clearly visible holding the edges of the bag, rather than being completely inside it as in the earlier shot.

In the shot that cuts back to the film shoot, Camellia is sitting on a sofa with the dog sitting beside her on it; in the next shot, however, the dog jumps up from the floor to sit on the sofa.

In the shot where Camellia is slapped, her head moves in the opposite direction after the slap.

After the burned dress is thrown on the floor, Camellia is crying without her hand on her face, but in the next front shot her hand is on her face.