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Film goofs - page 65

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
جوازة ميري (2014)
When Seif goes into the refrigerator and hides for only a few seconds, pieces of ice have already begun forming on his face and hair in an illogical way.
جوازة ميري (2014)
When Adam Galal hides in the bathtub and turns the hot water on himself, the steam is unnaturally thick for any hot water.
جوازة ميري (2014)
When Seif and Adam Galal jump, in the first close shot we hear glass and see bits of wood coming out of the window, but in the next wider shot no debris is falling with them while they are in the air; in the final shot of the fall to the ground, what falls around them is neither glass nor wood but square pieces of paper, and they are not burned either!
جوازة ميري (2014)
When Seif Salah is shot in the hotel room, the men fire shots and the muzzle flashes appear from the pistols, but the sounds of the shots themselves do not match the actual flashes fired by the men.
جميلة (1958)
In the scene where Colonel Bigeard holds Gamila's hand, in one shot he has let go of her hand, but afterward in a later shot he is holding it.
جميلة (1958)
After Judge Habib warns the group, we see Gamila talking with Youssef, with half her face lit and the other half in shadow, but in the next close shot her whole face is lit, then in the third shot it returns to its previous state.
جميلة (1958)
We notice Gamila's car exploding before the soldiers' vehicle crashes into it.
جميلة (1958)
When Gamila sits beside Al-Hady in the house, we see him about to pick up a book, but in the close shot the book is open on his legs.
جميلة (1958)
Some of the dialogue does not match the mouth movements.
جميلة (1958)
When Gamila asks Azzam about his job, a shadow suddenly appears on Gamila's shirt that was not visible in the previous shot.
جميلة (1958)
The houses in Uncle Gamila's house are clearly a picture on the wall, not a real background.
چالا.. چالا (2001)
When Omar lies on the bed with Sindos beside him, his hand is by his side, but in the next, closer shot his hand is in another position.