Film goofs - page 62

Some words do not match the mouth movements, such as the scene where The Librarian speaks with Samia.

Magdy and Samia stand on the corniche waiting for sunset, even though the sun's rays are clearly visible on their faces and in the background.

In the scene where Salah sits in the window of the moving train, we notice just before it that Salah is in the train bathroom, and train bathroom windows are not usually as large as the one shown in the scene, indicating that the scene was shot from a normal train window.

In the scene where Salah sits in the window of the moving train, the train is clearly moving very fast, yet there is no sign on Salah's hair or clothes of the strong wind that should be there.

In the news item in Al-Ahram about El-Sharnoubi thanking his clients, the font used for the item differs from the font of the other items in the newspaper's society section, making it clear that it was simply pasted onto the newspaper.

When Farouk carries the cartons and they all fall, it is clear they are empty cartons, not full ones, after one of them opens on the stairs.

The prisoners' hair is shown being cut very short in a close-up, but when Salah enters his cell, his hair is unchanged and merely neatly combed.

When Mahmoud Niazy meets Amal in the courtroom and she asks him about Ashraf Neiazy's marriage, in the next shot they are facing each other, unlike in the previous shot.

The close-ups of faces while riding horses in the village are clearly composited onto the background.

Some words do not match the mouth movements.

When Amal tells Mahmoud Niazy about seeing Ashraf Neiazy at the cabaret bar, the lighting can be seen moving over the top of the column behind Mahmoud Niazy.

When Amal switches on the light in Mahmoud Niazy's presence at her house after telling him the story of the money, the room lights up a fraction of a second after she turns it on, not exactly at that moment.