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Film goofs - page 60

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
حرب أطاليا! (2005)
When Yassin Tag Yassin talks to Bakr El-Roweiy while he is tied to a stone, the ropes tying Bakr are three on the right of the screen and one on the left, but after Yassine leaves him, the ropes look different in the overhead shot.
حرب أطاليا! (2005)
When Monica drinks from the glass in front of her and it is nearly empty in the close-up, the side shot shows her lowering the glass while it still has a little drink in it, more than what was left when the glass was at her lips.
حرب أطاليا! (2005)
When Yassin Tag Yassin and Monica leave a bar, as they are leaving the glass is beside the bottle and has some drink in it, but in the next shot of the same place the glass is in front of the bottle and contains more drink.
حرام عليك (1953)
When Abdel-Fattah wants to ask Asem a question, Asem's hand is raised in front of his chest with the pipe, but in the next, closer shot it is slightly lower.
حرام عليك (1953)
When Ismail and Abdel-Fattah go down the stairs in Asem's house, and after Ismail hears the sound of a door, the microphone boom moves into view and is clearly visible in the upper right of the frame.
حرام عليك (1953)
When Dr. Mourad turns into a wolf, the hair on his hands is clearly a glove, since his arms do not have the same hair.
حرام عليك (1953)
As the camera moves closer to the dog statue after Asem speaks with His Sweetheart, the camera's shadow can be seen moving.
حرام عليك (1953)
When we see Ismail's trembling knees up close, the previous and following shots show that his knees are not visible because of the coat he is wearing.
حرام عليك (1953)
When Ismail reads the papyrus translation again, the camera's shadow can be seen moving over the box.
حرام عليك (1953)
In the first conversation between Dr. Mourad and Asem, when Dr. Mourad says, "You're throwing my opinion against the wall," the microphone's shadow can be seen moving on the wall from the upper right of the frame.
حرام عليك (1953)
When the camera pulls back during Dr. Mourad's conversation with Asem, the camera's shadow can be seen moving over the globe on the desk.
حرام عليك (1953)
When Ismail and Abdel-Fattah bend down to pick up the antiques from the floor, a statue can be seen in the background when they stand up that was not there before they bent down in the wider shot.