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Nahr Al-Hob film poster ★ 7.5

Nahr Al-Hob

فيلم نهر الحب
140 minutes
Trivia (15)
  In the film's opening, the narrator tells the legend of Isis and her tears, which turned into the Nile.. the river of love.
  Taher's fortune is 1,500,000 Egyptian pounds, excluding his balances outside Egypt.
  Dinner at Taher's house is at 8 p.m.
  The name of the picture Wasfy painted of Nawal: "Sleeping Beauty".
  Nawal reads the book "Among the Ruins" on the train.
  Nawal reads the novel "Among the Ruins" on the train; the same director as this film, Ezzel Dine Zulfikar, adapted it as a film starring the same actress as this film, Faten Hamama.
  The actor Wagdy Al-Arabi appeared in the credits under the name "وجدان عبد البديع".
  Mamdouh and Safiyya had been married for nine years up to the problem with the nanny "Simone".
  Taher works as "Minister of Justice".
  The events take place during Egypt's monarchy, as Khaled says that The King will attend one of the equestrian championships.
  Type of flowers Khaled gave Nawal: lilies.
  Taher's marriage to Nawal lasted eight years.
  Mamdouh volunteered in the Palestine War and became a "volunteer corporal".
  Khaled's rank in the Palestine War: captain.
  Taher's villa is next to Al-Safa Street.
Goofs (6)
 When Khaled sees Nawal in the garden of Khayreya's house, it is while sunlight is visible in the sky, but in the same conversation, when Nawal walks, we see them in the very next shot in the garden in darkness with a black sky.
 Some words do not match the mouth movements (such as the scene where Nawal asks Khaled how he got from Alexandria to Cairo so quickly at the New Year's party).
 In the equestrian competition attended by The King, during Khaled's performance we hear the sound of the horse's hooves in a way that does not match the animal's own movement.
 When Mamdouh hides behind the door in Taher's office, we see the camera's shadow moving with it to the left of the door.
 In the final scene, when Nawal leans on a railway signal post, we see her from afar holding its black part, with dim light on her. But in the next, close shot, we see her holding the white part of the post.
 In the final scene, we notice that the lighting on Nawal's face and clothes differs in the close shots from the distant shots, and we also notice that the background has been composited onto the image in the close shots.
Posters (4)