Film goofs - page 30

When Ehab tastes the fajita in the kitchen of his and Marwa's apartment, we see his left hand forward on her shoulder, but in the next closer shot his hand is farther back.

When Ehab kisses Marwa in their new apartment, there is a slight difference in the position of their faces and Marwa's hair between one shot and the next closer shot; the same thing happens again in the same scene when she asks him how he did not tell her about it from the beginning.

In the final battle scene, it is clear that the walls Saber Al-Helaly smashes with his fist are merely foam panels.

In the fight scene between Adel and Esmat, Adel throws food onto Esmat's clothes, then in the next shot the clothes have dried and only have some traces of food on them.

The Messenger says that Billy the Kid requests the meeting time at dawn, but we see him the next day riding a horse with the sun's shadow below him, which indicates that it is noon, not dawn.

An hour and a half into the film, we see negma's back in one shot, but immediately in the next shot we see her face from the side.

An hour and a half into the film, we see the shadow of the camera, or of someone from the camera crew, moving across the floor with the camera movement.

We see the hands of the two sons of Mahmoud King Size raised with pistols, but in the next shot we see His Second Son with his hand down.

We see Mahmoud King Size’s Son talking to the corpse of Mahmoud King Size, but we can see it breathing.

After half an hour of the film has passed, we see the clock return to ten minutes to two again, even though shortly before that () it had reached five past two.

Within a single minute during the dialogue between Zalata and Mahmoud King Size, we see the clock change from ten minutes to two to five past two (15 minutes).

In the opening scenes of the film, the clock remains fixed at ten minutes to two despite the passage of time (although the clock changes in other later scenes).