Film goofs - page 32

During Mohey's conversation with Muhammad Shoman at the airport cafeteria table, the position of the newspaper changes in the close shot; it is farther back in the wider shot, before Mohey asks for a drink.

When Hussein approaches Laila during their conversation in the office, the position of his face beside her changes between shots, and she is suddenly tearful even though there were no tears in her eyes in the previous shot.

During Laila's conversation with Her Brother at the newspaper, when the camera moves from behind the wall, we can see the camera and its shadow moving.

Some words do not match the mouth movements.

Some words are unclear.

In the shot involving Ali, Yasmine, and Mosead, we find Ali and Yasmine's black car parked close to the gasoline on the ground. In a later shot we find: 1- the car is parked far from the gasoline that Ali set on fire; 2- the line of gasoline that Ali set on fire and that reached the plane has no fire or smoke!

In one of the battle shots with pistols and rifles, we notice a blank-firing nut at the front of one of the rifles (shiny white), and the black hollow interior of the automatic rifle's barrel is not visible.

In a conversation between Ali and Rasha in a street, Rasha turns around and puts on the glasses, but in the next shot we find her turning around again.

When Hossam takes Ali's hand to help him get up after he falls, we see clear traces of sand from the ground on his face and hair, but in the shot after the next those traces are different.

When the main characters board the large white bus, it has a particular make, a wide black frame below the windshield, a windshield divided in the middle by a divider, the license plate on the left side of the bus, and an empty panel above the windshield. But when they arrive at the hotel, we find another white bus, with a single undivided front window, the license plate in the middle, no black frame, and no empty panel above the windshield.

In Hayam's final dance, when the music changes from a song by Um Kalthoum to the credits song, we notice the shadow of the camera moving on Hayam's clothes as the camera rotates.

When Hayam walks in the street after Salah calls her, we notice in the background, as she walks, the shadow of the filming car moving with her movement.