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Film goofs - page 34

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
غرام في الكرنك (1967)
Some words do not match the mouth movements (such as the scene of Ragab speaking when he first enters the train with Salah and Amina, and the scene of Salah speaking with Ragab and Soad in their train cabin).
غبي منه فيه (2004)
When the police and the thieves exchange gunfire while Sultan and Nossa are in the car between them, we see the car's rear window broken. Then in a later shot, after the thieves also fire, we see that the car's rear window is still intact.
عيال حبيبة (2005)
The film's English title was written in the credits as "Lover Kides"; the correct word is Kids, not Kides.
عودة الماضي (1987)
The name of actor Hassan Shata is written incorrectly in the credits as "Hass Shatta.".
عودة الابن الضال (1976)
When Tolba slaps Ibrahim, we notice in the following, close shot that blood suddenly appears on Ibrahim's lips.
عودة الابن الضال (1976)
When Tafida tells Ibrahim that he can study in Egypt after his father Tolba tore up the passport, we see them looking at each other, but in the next shot we see them looking forward.
عودة الابن الضال (1976)
The kiss between Ibrahim and Tafida was not an actual kiss, but rather the two of them moving close together, after which the shot was frozen.
العميل 77 (1969)
In the scene where Maria meets director Simone for the first time, in one shot the filming microphone is visible in front of her.
العميل رقم 13 (1989)
When Hima signals to Roma, who is sitting beside him in the car, to watch the road behind him, we see him actually turn around, but in the shot from behind we see that he is still about to turn around.
العميل رقم 13 (1989)
When Sherif Mahran is talking with two women and has Nahed with him, we see him holding a document in his hand and gesturing with it toward Miss Nahed, but in the next, wider shot, we see him still holding the document with both hands in front of him.
العميل رقم 13 (1989)
When Basma plays a cassette tape for Sherif Mahran while they are sitting, we see Basma's palm on her cheek, but in the next shot, after Sherif takes the recorder, we see her palm under her chin.
العميل رقم 13 (1989)
When Basma is in the car with three other people, we see the car preparing to turn, and through the windshield an old-model white car appears waiting. But after the turn, through the rear window, we see that the parked car is a newer model and a darker color, not white.