Cookies disclaimer

I agree Our site saves small pieces of text information (cookies) on your device in order to deliver better content and for statistical purposes. You can disable the usage of cookies by changing the settings of your browser. By browsing our website without changing the browser settings you grant us permission to store that information on your device.

Trivia (13)
  The name of the prostitute in Aida's house: "Koko.".
  Ahmed joined the cavalry branch in the army.
  Ali lived in Europe for a period.
  The title of the book Aida is reading: "Education.".
  Ahmed's mother's name: Zakiya.
  The driver for Aida's family: Master Mohamed.
  When Aida, Ahmed, and Aida and Ali's Grandmother go to the cinema, we see a picture of the artist Mohamed Fawzi at the cinema entrance. He is known to have been married to the artist Madiha Yousry during the same period (the film's heroine).
  The film Ahmed and Aida went to see: film: On the Town.
  The artist Zeinab Sidqy appears as the mother of the artist Serag Mounir, although in reality she is only about ten years older than him.
  Ahmed's rank in the army: lieutenant, then he was promoted to yuzbashi.
  Mustafa worked somewhere as a child for 14 hours a day for ten qirsh.
  The title of the second book Aida reads: "Magdalene: Under the Linden Trees" by Alphonse Karr, translated by Mustafa Loutfy Al-Manfalouty.
  Aida's cabin number in Alexandria: 137.
Goofs (6)
 When Ahmed and Aida sit in front of the waterwheel, the close-up shows the waterwheel's position and lighting differently from the long shot, meaning the image of the waterwheel was composited into the close-up.
 When Aida apologizes to Mustafa after going to the cinema with Ahmed, there is an error in the music being placed over Aida's line, so we hear no sound when her lips show that she is saying, "I'm very sorry, Dad.".
 In the scene where Ahmed and Aida sit on the beach in the presence of her father Mustafa, the background appears to have been composited into the scene.
 Some words do not match the mouth movements, such as the scene where Aida talks with Fayeq by the sea.
 The shots of lightning in the sky are clearly artificial rather than real.
 The size and shape of the flames in the burning house do not match the size of the house, making it clear that they were created using a small model of the house.
Posters (4)