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About
Date and place of birth:
18/01/1926 - El Mahalla El Kubra, Egypt
Date and place of death:
22/12/1993 - Cairo, Egypt (67 years)
Years active:*
1956 - 1994
Spouses:
Zahrat Al-Ola - Shadia - Nafisa - Laila Sadeq
Relatives:
* According to Dhliz film database
More information

Short Biography

  • Name: Salah Zulfikar
  • Date of Birth: 18 January 1926
  • Date of Death: 22 December 1993
  • Place of Death: Cairo, Egypt
  • Occupation: Actor and film producer
  • Years Active: Mid-1950s to early 1990s

Early Life and Education

  • Graduated from the Egyptian Police Academy, serving first as an officer and later as an instructor at the academy before moving into the arts.
  • He came from a prominent Egyptian family, and his shift from law enforcement to acting was an early, defining turning point in his career.

Entry into the Arts

  • Zulfikar turned to cinema in the mid-1950s and quickly drew attention for his talent and screen presence, becoming one of the major stars of the 1960s.
  • He was celebrated for moving effortlessly among romance, comedy, and social drama, in addition to memorable roles as a man of the law.

Key Works

  • Feature films:
  • My Wife, the General Manager (1966) — Merati Mudir 'Aam; a social comedy about workplace dynamics and gender roles.
  • Dearer Than My Life (1965) — Aghla Min Hayati; a classic romantic melodrama.
  • My Wife’s Dignity (1967) — Karamat Zawjati; blends marital drama with light comedy.
  • Wakeful Eyes (1956) — 'Uyoun Saharana; an early romantic thriller.
  • The Terrorist — al-Irhabi; title widely known in Egyptian cinema. Note: the most famous film with this title was released in 1994, after Zulfikar’s death.

  • Television:

  • The Shalash Family (1990) — 'A'ilat Shalash; a popular family series known for its warm humor and social observations.

Producing and Work Behind the Camera

  • Zulfikar founded a production company bearing his name and produced influential films. Among the most significant is I Want a Solution (1975) — 'Ureed Hallan, a landmark social drama that sparked national debate about Egypt’s Personal Status laws (family law), especially around marriage, divorce, and women’s rights.

  • Context in simple terms: Personal Status laws govern family matters in Egypt. The film helped push public conversation toward legal reform, making it culturally and socially impactful beyond the box office.

Artistic Legacy

  • Salah Zulfikar is regarded as an icon of Egyptian cinema in the latter half of the 20th century. He combined broad popular appeal with discerning artistic choices, leaving a clear imprint on romantic, comedic, and socially engaged films. As a producer, he also backed works with cultural—and even legislative—impact.
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