Short Biography
- Name: Salah Zulfikar
- Date of Birth: 18 January 1926
- Date of Death: 22 December 1993
- Place of Death: Cairo, Egypt
- Occupation: Actor and film producer
- Years Active: Mid-1950s to early 1990s
Early Life and Education
- Graduated from the Egyptian Police Academy, serving first as an officer and later as an instructor at the academy before moving into the arts.
- He came from a prominent Egyptian family, and his shift from law enforcement to acting was an early, defining turning point in his career.
Entry into the Arts
- Zulfikar turned to cinema in the mid-1950s and quickly drew attention for his talent and screen presence, becoming one of the major stars of the 1960s.
- He was celebrated for moving effortlessly among romance, comedy, and social drama, in addition to memorable roles as a man of the law.
Key Works
- Feature films:
- My Wife, the General Manager (1966) — Merati Mudir 'Aam; a social comedy about workplace dynamics and gender roles.
- Dearer Than My Life (1965) — Aghla Min Hayati; a classic romantic melodrama.
- My Wife’s Dignity (1967) — Karamat Zawjati; blends marital drama with light comedy.
- Wakeful Eyes (1956) — 'Uyoun Saharana; an early romantic thriller.
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The Terrorist — al-Irhabi; title widely known in Egyptian cinema. Note: the most famous film with this title was released in 1994, after Zulfikar’s death.
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Television:
- The Shalash Family (1990) — 'A'ilat Shalash; a popular family series known for its warm humor and social observations.
Producing and Work Behind the Camera
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Zulfikar founded a production company bearing his name and produced influential films. Among the most significant is I Want a Solution (1975) — 'Ureed Hallan, a landmark social drama that sparked national debate about Egypt’s Personal Status laws (family law), especially around marriage, divorce, and women’s rights.
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Context in simple terms: Personal Status laws govern family matters in Egypt. The film helped push public conversation toward legal reform, making it culturally and socially impactful beyond the box office.
Artistic Legacy
- Salah Zulfikar is regarded as an icon of Egyptian cinema in the latter half of the 20th century. He combined broad popular appeal with discerning artistic choices, leaving a clear imprint on romantic, comedic, and socially engaged films. As a producer, he also backed works with cultural—and even legislative—impact.
3Oyoun Sahrana
(1956)
Rodda Qalby
(1957)
Gamila
(1958)
Bein Al-Atlal (Ethkoriny)
(1959)
Al-Rebat Al-Moqaddas
(1960)
Tariq Al-Abtal
(1961)
Maw3Ed Fel-Borg
(1962)
Al-Naser Sala7 Al-Din
(1963)
Aghla Men 7Ayaty
(1965)
Meraty Moudir 3Am
(1966)
Karamat Zawgaty
(1967)
3Afreet Meraty
(1968)