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Film goofs - page 86

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
ابن النيل (1951)
The voice of Om Salem calling to him at the end of the film is not Faten Hamama's voice.
ابن النيل (1951)
When Suzy adjusts her stocking, her leg is bare, but in the next shot the dress is down. This occurs during her conversation with Hamida after the incident with Mario.
ابن النيل (1951)
The movement through the location feels like someone walking around and seeing the country's landmarks, such as Hamida in Cairo.
ابن النيل (1951)
During Hamida's conversation with Zebeida while she is in labor, her hand is on her stomach, but in the next shot it is on Her Son beside her.
ابن النيل (1951)
The camera can be seen moving the corn stalks as it pulls away from the newlyweds' house.
ابن النيل (1951)
When Hamida as a Child goes to the train station, the shot from behind shows his hands at his sides, but in the next front shot his hands are in a different position, with one of them on his cheek.
ابن النيل (1951)
Some words do not match the mouth movements.
ابن حميدو (1957)
After Chief Hanafy announces that Hamido’s Son and Hassan are staying in the room at home, we see Hamida holding a plate of food with Hamido’s Son, but in the next closer shot as she speaks, she is already holding in her other hand a piece of bread that was not in her hand in the earlier shot.
ابن حميدو (1957)
When Hamido’s Son comes to Hamida's house after the gang is arrested, his face and eyes are bruised from the fight, although we had already seen his face without bruises after the arrest was over.
ابن حميدو (1957)
After the police arrive to arrest the gang, Hamido’s Son is seen holding Latiana, but in the next closer shot he is no longer holding her.
ابن حميدو (1957)
In the fight between Hamido’s Son and one of the gang members, he falls face-down on the ground, but when the criminal grabs his head, his head is tilted to the side instead of facing the ground as in the previous shot.
ابن حميدو (1957)
When Hassan assures Aziza that he will never love anyone else while they are by the sea waiting for the fishermen, his hand is on her shoulder, but in the next closer shot from behind him, his hand is lower on her back, not on her shoulder.