Film goofs - page 78

When Hayat is about to light a cigarette as Zeinhom sits beside her, in the following shot her hand is closer to her mouth than it was in the earlier shot.

When El-Limby looks at the older man beside him in class to cheat, the man's hand is below the desk in the first frame, on the middle of the desk in the second, and then below it again in the third.

Ahmed's sister is named Alaa, but in the second credits, when the characters' names are listed, actress Sarah Abdel-Rahman's name is followed by "Sara" instead of "Ola.".

In the end credits there is a thanks to Vodafone, but it is written as "Vodafon" instead of "Vodafone.".

When Alaa chats with Her Friend online, we can see that Her Friend's dialogue was recorded as a video file and opened in Microsoft Windows Media Player; the program name, its layout, the buttons below the image, and part of the program's familiar graphic appear on the right side of the screen. The recording shows that it is not a live online chat.

In the car scenes, such as the final scene, it is clear that they were not filmed in an actually moving car, but in a stationary car being moved from the side.

When Mahmoud comes to Neamat's house at the end of the film, she puts aside the clothes she is carrying on her arm, but in the following close-up she is still carrying them.

The number of the taxi that brings Neamat to her village is 55464 - Giza taxi.

We see that Uncle Mahmoud's car is red and has the number 1760, but after Mahmoud separates from Noha and goes to the farm, the same license plate with the same number appears on another, white car; it is also clear that the license plate is not securely attached to the other car.

When the camera moves closer to Mahmoud's wedding ring on the desk, the camera's shadow can be seen moving across the desk.

When the camera moves beside the dining table in Mahmoud's house as he eats with Noha's family, the camera's shadow can be seen moving on Noha's hair and on the wall.

When the camera moves closer to Radeya's picture in Mahmoud's house, the camera's shadow can be seen moving with it.