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Film goofs - page 80

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
إشاعة حب (1960)
When Samiha's friends are introduced to Lucy, Bahiga is standing and walking in the background, but in the following shot she is sitting on the sofa.
إشاعة حب (1960)
When Abdel-Qader is introduced to Lucy, he raises his hand toward Samiha, but in the following shot he raises the other hand toward Lucy.
إشاعة حب (1960)
When Hussein enters the breakfast room, one shot shows Abdel-Qader not holding a tea cup, but in the very next shot it is in his hand.
إشاعة حب (1960)
When Mahrous talks with Abdel-Qader at breakfast, Bahiga is drinking tea while holding the cup in her hand, but in the immediate close-up both her hands are empty.
إشاعة حب (1960)
At the first breakfast, we see Bahiga raise the tea cup to her mouth, but in the following shot, when Abdel-Qader enters, she has not raised it yet and raises it again.
إسماعيل يس يقابل ريا وسكينة (1955)
When One of the Gang enters the house, one shot shows him coming through the door facing forward, but in the very next shot we see his back as he closes the door.
إسماعيل يس في البوليس (1956)
After Abdel-Badea's house is robbed and Zaky goes with The Deputy to tell Attia in front of the cabaret, we see The Deputy with his arms folded, but in the next shot his fingers are visible on his other arm, which they were not in the earlier shot.
إسماعيل يس في البوليس (1956)
When The Emergency Police Officer grabs Zaky and lifts him from the fence of the Mogamma, he is laughing as he leads Zaky inside.
إسماعيل يس في البوليس (1956)
Some words do not match the mouth movements, such as the first scene where Zaky talks to Abdel-Badea on the building stairs, the scene where Officer speaks during the patrol lineup, and several scenes on the building stairs.
إسماعيل يس طرزان (1958)
When Mourad tells Nemr that it is impossible for someone with one hundred thousand pounds to slip through his fingers, we can see Mourad's shadow on Nemr's suit, but in the following close-up the shadow is no longer on his clothes.
إسماعيل يس طرزان (1958)
When Mourad orders Safy to come back and not go with Nemr, his arms are raised beside his waist, but in the very next wider shot his hands are slightly lower.
إسماعيل يس طرزان (1958)
When Murad’s Wife says, "You're right. Only marriage can cover up this scandal," she is standing next to Hassanat and Mourad, but in the very next wider shot she is standing away from him, along with their other relative.