Film goofs - page 47

When Aziza talks with Ahmed in the garden about their plans as a married couple, we notice that she is carrying her black shawl on one hand, but in the next shot her other hand is behind it in a way it was not in the previous shot. The same thing then repeats in reverse in the following scene.

When Ahmed climbs the building stairs, we see Aziza cleaning the runner, but in the next, closer shot she is carrying it.

When Ahmed prays against Uncle Metwally, we notice a change in Aziza's face position compared with the previous, closer shot.

Some words do not match the mouth movements, such as the scene where Ahmed is teaching in the classroom.

There is a difference between the flashback at the end of the film and the beginning of the film in the handwriting of the sentence "Your daughter Omnia is with us.".

The image of "Al-Kawakib magazine" contains a news item about the production of the film they are shooting, "The Game," and the magazine issue is marked 1985. This cannot be correct, because the film includes shots of devices newer than that date, including a DSLR camera and mobile phones. In the second half of the film, there is also a news item from Al-Ahram newspaper that was actually published on August 28, 2013. Major Marwan also mentions in () that they are after the events of the 2011 revolution (the year is 2014 because Helmy died four years earlier).

When the rooftop dialogue scene between Director and Saeid is repeated, we see differences in the performance. In the first shot, Director says "please," and in the second, "God bless you." He also says "for little things" in one scene, and in the second, "for little things, Omnia." In the first he says "Where is Omnia?" and in the second, "Where is she really?" Then in Saeed's first line he says "better than that actor," and in the second, "better than that actor kid.".

The kidnapper gives Saeid six bullets, but we see him take only four bullets out of the pistol.

In some shots, the image looks hazy because the camera is not properly in focus, such as the dance scene at the beginning, or the scene of Satouhy driving the car (twice).

When the camera moves closer to Ateyat during her conversation with Amaal on her wedding day, we clearly see the camera's shadow moving on the chair on which Ateyat is sitting.

In some movements of objects carried by the invisible person, we notice a black thread carrying the tools, as in the scene where the knife comes out from behind the curtain.

When Asfour slaps Lola, we notice that his hand does not hit her, but we hear the slap and see its effect.