Film goofs - page 46

In the ending scene during Marzouq's fight with The King's men, when Marzouq throws one of The King's men from the loader so that he crashes through the villa window, it is clear that the "glass" is made of a paper-like material.

When Paula talks with Malak in the bedroom of the deceased The Grandmother, we notice a difference in the position of Paula's hair and face between the wide shot and the close shot.

When Malak cradles Lameay's face, we notice a difference in their positions between one shot and the next (the close shot and the wide shot).

In the scene where Paula rides the Jet Ski alone, we can clearly see that the image has been composited onto the background.

When Lameay stands beside the balcony and talks with Malak, in a later shot we notice that he has his hand in his pocket, although in the earlier shot from the front his hand was not in his pocket.

When Malak holds the glass at the Red Sea The Barman, we notice a difference in the position of her fingers on the glass between the first shot and the next, close shot.

When Malak’s Mother invites Hassan to a restaurant and they sit down, we notice the microphone's shadow behind Hassan on the marble wall as it moves.

When Sukkar adjusts the wig, he puts his hands on his hair, but in the next, wider shot we see his hands on his legs.

Some words do not match the mouth movements.

In the elevator scene at the beginning of the film, the actors' standing positions differ between the front and side shots, and this repeats more than once from one shot to another, from the side to the front to the back.

When Ahmed sleeps beside Aziza, in one shot we see him close his eyes, but in the next shot his eyes are wide open.

When Ahmed drinks molokhiya with a spoon, we hear him slurping, but the sound continues for a fraction of a second after he moves the spoon away, showing that the sound was added to the shot.