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Film goofs - page 44

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
سيدة القطار (1952)
When Fekreya asks Farid whether he closed the door, we see him put a cigarette in his mouth, but in the next front shot the cigarette is in his hand.
سيدة القطار (1952)
In the little girl's dream song, some of the actors' positions change between camera cuts.
سيدة القطار (1952)
The actress Sanaa Gamil's name is written in the opening credits as "Sanaa Gamil".
سهر الليالي (2003)
When the friends throw the playing cards onto the table, we see three glasses on it, but in the next overhead shot none of the glasses are visible.
السلم والثعبان (2001)
When Hany Salama leaves the area in front of Hala Shiha's balcony, she is holding the mobile phone between her head and shoulder as she closes the balcony, but in the closer shot the phone is in her hand.
السلم والثعبان (2001)
When Ahmad Helmy tells Hany Salama while they are in Hany Salama's house, "I gave everything I had to my mother and my siblings," we see Hany Salama's hand on his leg below his knee with the short cigarette, and in the next shot his arm is resting on his knee, his hand is away from it, and the cigarette is long!
السلم والثعبان (2001)
When Hala Shiha asks Hany Salama, "Drive slowly, for my sake," she moves her left hand in front of her, and in the next, wider shot her hand has moved back farther away again.
السلم والثعبان (2001)
When Ahmad Helmy asks Tareq Al-Telmesany about the party, with Hany Salama beside him, we see Ahmad Helmy and Hany Salama standing next to each other, but in the next shot Hany Salama is farther away and is not facing Tareq Al-Telmesany.
السلم والثعبان (2001)
In the scene where Ahmad Helmy plays billiards and the ball jumps above the table to hit a bottle held by the waiter, there are two balls beside the ball that Ahmad Helmy hits, but after he hits it, only one ball remains in that spot.
سلام يا صاحبي (1986)
When The King falls to the ground in the final scenes, we see him fallen backward with his hands on the ground. But in the next shot from the front, he is leaning forward and propped on one hand on the ground in front of him, not beside him.
سلام يا صاحبي (1986)
In the ending scenes, the dialogue and sound do not match the mouth movements and expressions of some characters.
سلام يا صاحبي (1986)
In the shooting scene, we see the reaction of the people standing there as they begin to move back and fall backward, but two shots later they have not fallen yet and begin falling again.