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Film goofs - page 22

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
ليلة القبض على فاطمة (1984)
Some shots are hazy (a cinematography error), such as the scene where Galal talks with the politicians in his villa.
ليلة القبض على فاطمة (1984)
When Sayed says to Galal, “there's not much life left,” in Galal's villa after Sayed is released from prison, he is looking directly at him, but in the next shot (from behind Sayed) he is looking down.
ليلة القبض على فاطمة (1984)
We read a newspaper item titled “Galal Taher runs for the National Union,” but the article's content differs from the headline, as it is merely an article about the economy.
ليلة القبض على فاطمة (1984)
We read a newspaper item titled “Galal Taher runs for the National Union,” but the color of the paper on which the headline is written is different from the darker newspaper page.
ليلة القبض على فاطمة (1984)
When Fatma tells the neighbors about the start of Galal's illegal activities through bribes, a wide shot shows both her hands on her knee, but in the close shot her left hand is raised.
ليلة القبض على فاطمة (1984)
When Fatma walks beside the house wall as some people from the mental hospital try to catch her, the lighting shadow can be seen moving with her along the wall.
ليلة القبض على بكيزة وزغلول (1988)
In the exchange of gunfire between members of the first gang, the blood appears at the exact moment a person is hit, although logically it should take a few moments for blood to start coming out in that amount.
ليلة القبض على بكيزة وزغلول (1988)
When Bakiza talks with Sam about being unable to give him what he wants in her home, both her arms are raised, as are Zaghloul's, but in the next side shot the positions of her arms and Zaghloul's arms are different.
ليلة ساخنة (1996)
When Sayed is injured, he wipes the blood from his face in the hospital, but when he gets into the car and drives afterward, the blood is still on his face.
ليلة ساخنة (1996)
When Houreya looks at The Child from the hospital door, in the rear shot her hands are toward the door, but in the next front-facing shot her hand is on her mouth as she eats.
ليلة ساخنة (1996)
In the car-race scene, there are several differences in the cars around the two racing cars, the parked cars in the street, the width of the street, and so on.
ليلة ساخنة (1996)
When Houreya places the contents of her bag on the bed, they are in a certain arrangement, but in the close shot of the items the arrangement is different, and the red wallet is closed rather than open as in the previous shot.