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Film goofs - page 17

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
معبودة الجماهير (1967)
When the The Journalist shows The Editor-in-Chief the photos, we see one of them inside the house with Ibrahim and Soheir. But what we actually saw was that The Photographer and The Journalist were waiting outside the house, not inside. They learned about the relationship only when Ibrahim and Soheir came out of the house.
معبودة الجماهير (1967)
In the song "Balash Itab," when Ibrahim says "I got my share," Soheir's hand position changes between the first shot and the next.
معبودة الجماهير (1967)
In the song "Enta Albi," at the line "You destroyed me," Soheir puts her hand on her shoulder, but in the next side shot we do not see her hand; instead, her hair appears on her shoulder.
معبودة الجماهير (1967)
In the song "Enta Albi," at the line "Do you know what happened," Soheir puts a cigarette in her mouth, but in the next side shot it is not in her mouth.
معبودة الجماهير (1967)
In the song "Enta Albi," the movements of some musicians do not match the music, before the line "Do you know what happened.".
معبودة الجماهير (1967)
When the rehearsal stops because Ibrahim apologizes for not attending, we see Suhair sitting and holding her white bag, but in the next, closer shot the bag is upright and not in the same position as before.
معبودة الجماهير (1967)
In the song "Haga Ghariba," when Soheir says "Do you feel it," we see Ibrahim's right hand move toward her, but in the next, closer shot, his other hand is the one that has moved behind the lamp between them.
معبودة الجماهير (1967)
Some sounds do not match the mouth movements, such as the journalist's conversation with the photographer in the car.
معبودة الجماهير (1967)
After Ibrahim is docked five days' pay, Soheir asks to postpone the rehearsal, and a microphone appears at the upper right of the screen.
معبودة الجماهير (1967)
In the first song, when Ibrahim says "I love her" and goes to open the balcony door, we see his hand reaching to open it, but in the next shot from outside the door, he is only about to extend his hand to open it.
معبودة الجماهير (1967)
When Asem offers the role to Ibrahim, there is nothing in his hand, but in the closer shot he is holding the role papers against his chest.
معبودة الجماهير (1967)
During Ibrahim's conversation with his cat "Simsim" in front of the mirror, the side shot shows the cat far from the mirror, but from the front its back is touching the mirror.