Cookies disclaimer

I agree Our site saves small pieces of text information (cookies) on your device in order to deliver better content and for statistical purposes. You can disable the usage of cookies by changing the settings of your browser. By browsing our website without changing the browser settings you grant us permission to store that information on your device.

Film goofs - page 19

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
المراهقات (1960)
The film title was translated incorrectly in the credits as "Teen Agers"; the correct form is "Teenagers".
مراتي.. وزوجتي! (2014)
We notice differences in the positions of Hossam's hands on Hany's shirt as he forces him to tell the story to his father-in-law Fayez at the villa door.
مراتي.. وزوجتي! (2014)
When Fayez tells Omar, the embassy representative, The Ambassador, and Sultan Bahnas that Magida is their daughter, the position of Hossam's arm on the chair changes: in the first shot it is stretched out, but in the next front shot his arm is back on the chair's backrest.
مراتي.. وزوجتي! (2014)
When Hany and Hossam fire into the air before the mobile tower is installed (after the giraffe scene), the sound of the shots does not match the movements of their hands on the automatic rifles.
مراتي.. وزوجتي! (2014)
When The Hotel Receptionist coughs in Hossam's face, in the first shot his glasses are on his shirt, but in the very next shot he is holding the black glasses in his hand.
مراتي.. وزوجتي! (2014)
In the second credits, part of Sherry Adel's name is written with her character name as follows: name: Sherry - role: Adel Farida.
مراتي مدير عام (1966)
When Esmat holds the small Qur'an she is wearing in the final scenes, she holds it with one hand and the other hand over it. In the next, wider shot, both hands are side by side.
مراتي مدير عام (1966)
Some words and lines do not match the mouth movements in more than one scene.
مراتي مدير عام (1966)
When Muhammadein is in the hotel with Esmat, he lowers his hand after fixing his collar, but in the next, wider shot his hand is still raised.
مراتي مدير عام (1966)
When Aida talks with Hussein after Esmat goes into his office, she is sitting, talking, and raising her hand, but in the next shot her hand is on the desk.
مراتي مدير عام (1966)
When Aida says "Still waters run deep" after the employees at the department learn about the relationship between Hussein and the manager, she is among her colleagues before and after, but when she stands up, no one is beside her in the close-up.
مراتي مدير عام (1966)
In the scene where Abou-Al-Kheir talks with Hussein about the manager's adventures, we see Hussein put his hand on the desk with a black pen beside it, but in the next shot, when he leans back, the pen is gone.