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About
Date and place of birth:
22/02/1919 - Manzala, Ismailia, Egypt
Date and place of death:
20/09/1999 - Cairo, Egypt (80 years)
Years active:*
1935 - 1995
Spouses:
Antoine Eissa - Muhammad Sultan Pacha - Livi - Fatin Abdel-Wahab - Ahmad Salem - Hussein Akef - Rushdy Abaza - Mustafa Kamal Sedqi - Abdel-Moneim Al-Khadem - Hassan Hussein - Muharram Fouad - Ahmad Tholfaqar Sabry - Fayez Halawa - Hassan Abdel-Salam
Relatives:
* According to Dhliz film database
More information

Biography

  • Full Name: Badawiya Mohamed 'Ali al-Nidani Karim
    Stage Name: Taheyya Kariokka (also spelled Tahiya Carioca)
  • Profession: Raqs Sharqi performer (Oriental dance, often called belly dance) and film and stage actress
  • Date of Birth: 22 February 1919
  • Place of Birth: Ismailia, Egypt
  • Date of Death: 20 September 1999
  • Place of Death: Cairo, Egypt
  • Years Active: Mid-1930s to late 1990s

Early Life and Education

  • Born to an Egyptian family in the city of Ismailia. She received basic schooling before moving to Cairo at a young age.
  • From childhood, her talent for dance and musical performance was evident.

Entry into the Arts

  • Relocated to Cairo early and joined a leading revue/theatre troupe of the time.
  • She took the stage name “Kariokka” after performing the “Carioca” dance—a Latin/Brazilian-influenced rhythm that was fashionable in the 1930s–40s—which became her signature and the springboard to her fame.

Career

  • A towering icon of 20th-century raqs sharqi and a pillar of Egyptian cinema and theatre.
  • Combined the charisma of a star dancer with the craft of a nuanced dramatic actress, commanding both lead roles and complex character parts.
  • Appeared in more than 120 productions across films, stage plays, TV series, and television dramas/specials.
  • Known for portraying strong, impactful female characters, with refined control over voice, movement, and expressive physical performance.
  • Founded her own theatre troupe bearing her name, through which she presented socially aware comedies and politically tinged plays.

Selected Works

  • Film:
  • La'bat al-Sitt (1946)
  • Shati' al-Gharam (1950) — “Beach of Love”
  • Shabab Imra'ah (1956) — “A Woman’s Youth”
  • al-Futuwa (1957) — “The Tough/Bully”
  • Umm al-'Arusa (1963) — “Mother of the Bride”
  • Khalli Balak min Zuzu — “Watch Out for Zuzu”
  • Stage: Presented dozens of productions with her troupe, featuring socially and politically themed works.
  • Television: Appeared in TV dramas and special programs, especially in the later decades of her career.

Awards and Honors

  • Widely acclaimed by critics and audiences alike, and received official and festival honors in Egypt and abroad for her body of work.

Personal Life

  • Famous for multiple marriages; it is often noted she married 14 times.
  • Faced health challenges later in life and passed away in Cairo in 1999.

Social and Humanitarian Stance

  • Known for outspoken social and patriotic positions, and for her support of social justice causes.
  • Mentored young talents, backed serious artistic projects, and took part in charitable activities.

Legacy and Influence

  • Taheyya Kariokka remains a symbol of refined showmanship and powerful acting, leaving an indelible mark on the history of raqs sharqi, Egyptian cinema, and theatre.
  • Her body of work and onstage presence are still referenced when discussing the evolution of women’s representation and strong female characters in Arab drama.
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