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Film goofs - page 72

Dhliz records thousands of goofs spotted across a great many films. You can read through them here:
بونو بونو (2000)
During the two men's conversation with Nahed after she disguises herself in the bathroom, she is between them with the mirror behind her and one man's hand raised, but in the next shot they are in a different position and the man's hand is down.
بونو بونو (2000)
In the Winword file, there are some spelling mistakes: caried = carried.
بوحة (2005)
When Bouha El-Sabah falls to the ground and is dragged by the horse, the tracks of the filming cart's wheels can be seen on the ground on both sides of him.
بوحة (2005)
When Bouha El-Sabah runs in front of the bull, the bull's horns point outward from the right and left sides of its head, but in the bull's point-of-view shot that shows only the horns, they point inward, showing that they are just horns mounted on the camera for that shot.
بوابة إبليس (1993)
At the beginning of the film, we see a page from Al-Wafd newspaper with a headline reading 'Investigation into the fake dollars case', and the color of the paper carrying the headline is different from the color of the newspaper itself.
بنت المعلم (1947)
When the girl enters the coffeehouse and Mahmoud Shokoko meets her and says, 'What kind of searchlight is coming in on me?', the camera's shadow can be seen moving at the top of the frame.
بلطية العايمة (2008)
The artist Abdel Rahim Al-Tenir's name is written incorrectly in the second credits as 'Abdel Hamid El-Teneir'.
بلبل حيران (2010)
The band Cairokee's name is written incorrectly in the second credits as 'Cairo T'.
بطل من ورق (1988)
In the credits, the artist Youssef Al-Assal's name is written as 'Youssef Assal'.
بطل من ورق (1988)
When Samir asks Ramy to jump from the train, in the first shot from the train door they are passing beside farmland, but in the next shot outside the train there is a road for cars and trees, not the same farmland.
بطل من ورق (1988)
When Brigadier General Adel talks with Ramy and asks him to write, he takes off his glasses while speaking with the officer, but in the shot from behind Rami he is still wearing them.
بطل من ورق (1988)
When the recorded call with Samir is played back, the original call is different from the recording: the original includes details about the ending that Samir wants, such as not having police, blood, or bullets in the ending, and his mention of Magdy, but these details are absent from the recording.