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Serr Taqeyat Al-Ekhfa2 film poster ★ 6.0

Serr Taqeyat Al-Ekhfa2

فيلم سر طاقية الإخفاء
110 minutes
Trivia (6)
  The newspaper's name: "Al-Nour Newspaper".
  Asfour was in the news department and was transferred to the subscriptions department before being fired the same day.
  Use of recurring comic music from old Egyptian films.
  Use of recurring suspense music from old Egyptian films.
  In the newspaper reports about Logert, we see an ad for Fadee7A Fel-Zamalek, one of whose stars is Berlanty Abdel Hamid, who also appears in this film.
  The publication date of the news about Logert in Al-Nour newspaper: January 22, 1959.
Goofs (10)
 When Lola raises her hand with the bangles in Amin's shop, we notice that his right hand is raised to his waist, but in the very next shot his left hand is the one raised.
 When Asfour appears again to Salem in the office after saying "Bilalam," we see his left arm straight on the desk, but in the next shot his arm is bent.
 In the newspapers, we read the editor-in-chief's name as "Salem Salam Suleiman," but in the very next shot we see his name on the desk as "Salem Salama Suleiman.".
 When Faseeh starts telling Lola about Asfour's secret, we see her arm on the sofa, but in the next shot from the front her arm is around The Child. The same thing then repeats in reverse after The Child is about to leave.
 When Amin slaps Asfour, we notice at times that his hand does not touch Asfour, but we hear the slap and see Asfour's reaction to it.
 When Amin wears the cap for the first time in the shop, we see a difference in the position of the sunlight on the wall, indicating that time passed between putting on the cap and filming the disappearance.
 Some words do not match the mouth movements, such as the scene of Amaal's Mother speaking in Amin's house.
 When Asfour slaps Lola, we notice that his hand does not hit her, but we hear the slap and see its effect.
 In some movements of objects carried by the invisible person, we notice a black thread carrying the tools, as in the scene where the knife comes out from behind the curtain.
 When the camera moves closer to Ateyat during her conversation with Amaal on her wedding day, we clearly see the camera's shadow moving on the chair on which Ateyat is sitting.
Posters (2)