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About
Date and place of birth:
05/03/1890
Date and place of death:
30/11/1949 - Cairo, Egypt (59 years)
Years active:*
1923 - 1949
* According to Dhliz film database
More information

Biography

  • Bishara Wakim was a prominent Egyptian actor and a pioneer of comedy in cinema and theatre during the 1930s and 1940s.
  • He became famous for his impeccable command of the Levantine (al-Shami) dialect, often portraying “al-Shawam”—Levantine characters such as neighborhood merchants—so convincingly that many assumed he wasn’t Egyptian.
  • He stood out for his effortless wit and his ability to create unforgettable supporting characters in social comedies.
  • Date of birth: 5 March 1890
  • Place of birth: Cairo, Egypt
  • Date of death: 30 November 1949
  • Place of death: Cairo, Egypt

Education and Early Years

  • He began as an amateur on Cairo’s theatre stages, then became a professional stage actor before moving into film in the early 1930s.

Career

  • With the growth of Egypt’s film industry, he transitioned from theatre to cinema and appeared in a large number of social comedies.
  • He became known for roles such as the Shami merchant, nightclub owner, and opportunistic civil servant—played with sly humor and a distinct voice and cadence.
  • He was one of the most recognizable faces among supporting actors and was highly prolific throughout the 1930s and 1940s.

Key Works

  • Anbar
  • Layla bint al-Rif [Layla of the Countryside]
  • Sikkat al-Salama [The Safe Road]
  • Layla bint al-Madaris [Layla, the Schoolgirl]
  • al-Fursan al-Thalatha [The Three Musketeers]
  • Gharam wa Intiqam [Love and Revenge]
  • Rasasa fi al-Qalb [A Bullet in the Heart]
  • Qalbi Dalili [My Heart Is My Guide]

Facts and Anecdotes

  • His mastery of the al-Shami dialect became his on‑screen signature, which he used to create precise, understated comedic contrasts.
  • Rumors spread that he was of Levantine origin because of his fluency in the Lebanese accent.

Note: In Egyptian cinema, “social comedies” are films that mix humor with everyday life, social norms, and class dynamics, often using character types—like the Shami merchant—to generate cultural and linguistic humor.

Progression
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